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There was one place in New York City that I had always wanted to visit. It was the Morgan Library & Museum. I would never say it is a misnomer, but this name, I think, is misleading. When I first heard it, I instantly thought that it would be one of those branches of New York Public Library. But it’s not! It is more of J.P. Morgan’s personal collection of rare manuscripts and other fine arts.

 

I first entered Mr. Morgan's Study. His portrait was hanging on the wall behind his desk. He really had the air of a financier.

 

His whole study was filled with Victorian furnishings and antiques.

Straight ahead, on the wall, was another portrait of Morgan. I felt moved profoundly, sitting on the very chair that J.P. Morgan had sat on.
 

As I made for that portrait of Morgan above the fireplace, which had been familiar to me, and took a closer look, I somehow felt like that he was lecturing me.

I then walked on to Mr. Morgan’s Library with three tiers of shelves full of books up to the ceiling. It made me feel like I was in a museum in one of those European countries.

 

The ceiling was decorated with figures of Dante, Botticelli, Michelangelo, Galileo Galilei, Christopher Columbus, etc.

I was very curious how Morgan used to take out books in the shelves of the upper tiers and bring them back up. I asked a guide who happened to be touring a group of visitors, and she told me, finger-pointing the spot where there was a small elevator in the back of this bookshelf. I didn’t think anybody would notice it until they looked very closely. I liked this secrety trick.

 
Some medieval and Renaissance manuscripts were displayed together.

This is the tablet showing “Lion Attacking Mouflon” Morgan acquired in the late 19th century.

 

Another room had collection of several music manuscripts of such familiar classical composers as Debussy, Franck, Verdi, etc. It was exciting to see this manuscript of W.A. Mozart's Piano Concerto No. 26 in D major, K. 537, known as "Coronation."

I never expected that Morgan had collected this many music manuscripts of great classical composers, and I do wonder if he had any interest in music at all, or perhaps, he had just collected these music manuscripts for the mere pleasure of owning more and more.

 
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